Symbolic actions, visions, and poetry.
Symbolic Actions, Visions, and Poetry in Prophecy
Introduction
The prophets of ancient Israel were not only preachers but also poets, dramatists, and visionaries. They conveyed divine messages through symbolic acts, dreamlike visions, and powerful poetic oracles that engaged the imagination of their audiences. Unlike straightforward prose, these forms carried emotional and rhetorical force, ensuring that God’s word was not merely heard but felt, remembered, and internalized.
In this chapter, we will explore three essential dimensions of prophetic communication:
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Symbolic Actions — embodied performances of divine truth.
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Visions — revelatory encounters disclosing heavenly realities and future outcomes.
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Poetry — the primary medium of prophetic speech, filled with parallelism, imagery, and rhythm.
These forms reveal the creativity of prophetic literature and demonstrate how prophets engaged their audiences in ways that transcended logic alone.
Symbolic Actions
Definition
Symbolic actions are prophetic sign-acts: concrete behaviors or enacted parables designed to dramatize God’s word. They captured attention, provoked thought, and often scandalized audiences.
Examples
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Isaiah’s Nakedness (Isa. 20): Isaiah walked naked and barefoot for three years to symbolize Egypt and Cush’s humiliation by Assyria.
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Jeremiah’s Yoke (Jer. 27–28): He wore an ox yoke to symbolize Babylon’s domination, confronting false prophets who promised quick liberation.
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Ezekiel’s Brick Siege (Ezek. 4): He drew Jerusalem on a brick, laying siege to it, symbolizing the city’s coming destruction.
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Ezekiel’s Lying on Sides (Ezek. 4:4–8): He lay on his left side for 390 days and right side for 40 days, dramatizing years of Israel’s and Judah’s punishment.
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Hosea’s Marriage (Hos. 1–3): Hosea married Gomer, a woman of promiscuity, embodying Israel’s unfaithfulness to God.
Purpose
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Shock Value: Startle people out of complacency.
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Concrete Teaching: Translate abstract theology into lived metaphor.
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Embodied Word: Demonstrate that prophecy is not just spoken but lived.
Theological Meaning
Symbolic acts embody covenant realities: judgment, exile, restoration. They emphasize that God’s message touches all of life — not just words, but actions, relationships, and bodies.
Visions
Definition
Visions are supernatural revelations in which prophets perceive divine realities, often involving symbolic imagery, angelic interpreters, or heavenly courts.
Types of Visions
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Call Visions: Prophets encounter God and receive commissioning (Isa. 6; Ezek. 1).
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Judgment Visions: Amos sees locusts, fire, a plumb line (Amos 7–8).
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Restoration Visions: Zechariah’s eight night visions (Zech. 1–6).
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Apocalyptic Visions: Daniel’s beasts, horns, and heavenly court (Dan. 7).
Features
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Symbolism: Common use of animals, objects, or cosmic imagery.
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Dialogue: Angels or God explain meaning.
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Future Orientation: Often predictive or eschatological.
Examples
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Isaiah 6: Vision of God enthroned, seraphim crying “Holy, holy, holy.”
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Ezekiel 1: Vision of heavenly chariot, wheels within wheels, divine glory.
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Amos 7–9: Series of visions announcing Israel’s end.
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Zechariah 3–4: Vision of Joshua cleansed, Zerubbabel empowered.
Function
Visions reveal God’s perspective on history, offering divine interpretation of current events and ultimate outcomes.
Poetry
Centrality of Poetry
Most prophetic speech is poetic, not prose. Poetry sharpened their message, creating intensity, beauty, and memorability.
Features of Hebrew Poetry
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Parallelism: Repetition and balance of lines.
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Synonymous: “Seek good and not evil, / that you may live” (Amos 5:14).
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Antithetic: “The wicked are overthrown… / but the house of the righteous stands firm” (Prov. 12:7).
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Imagery: Vivid metaphors (Israel as unfaithful wife, vineyard, sheep).
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Rhythm: Patterns of stress, often used in laments.
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Wordplay: Amos’s pun on qayitz (summer fruit) and qetz (end) (Amos 8:1–2).
Examples
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Isaiah 5:1–7: “Song of the Vineyard,” a parable of judgment.
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Lamentations: Poetic laments over Jerusalem’s fall.
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Habakkuk 3: Poetic prayer blending lament and praise.
Theological Function
Poetry communicates truth through imagination. It engages emotion as well as intellect, inviting audiences to feel God’s passion for justice, grief over sin, and hope for restoration.
Interplay of Symbolic Actions, Visions, and Poetry
These three forms often work together:
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Ezekiel combines enacted sign-acts, visionary experiences, and poetic oracles.
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Hosea embodies prophetic marriage, while his words form poetic laments and promises.
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Zechariah blends visions with poetic oracles of hope.
Together, they create a multi-sensory prophetic experience — visual, auditory, emotional.
Theological Significance
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Holistic Revelation: God communicates in diverse forms: word, image, action.
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Incarnational Dimension: Prophets embody God’s word in their own lives.
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Imaginative Engagement: Prophecy stimulates imagination, inviting deeper reflection.
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Judgment and Hope: Symbolic acts and visions often alternate between doom and restoration.
Reception in Jewish Tradition
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Symbolic acts remembered as striking parables of Israel’s history.
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Visionary texts like Ezekiel and Zechariah shaped later Jewish apocalyptic literature.
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Prophetic poetry influenced Psalms and synagogue liturgy.
Reception in Christian Tradition
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Symbolic actions prefigured Christ (e.g., Hosea’s marriage as image of Christ’s love for church).
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Visions influenced apocalyptic sections of the New Testament, especially Revelation.
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Prophetic poetry inspired Christian hymns, liturgy, and ethical teaching.
Contemporary Relevance
For modern readers, these forms highlight the richness of communication:
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Symbolic actions remind us that faith is embodied, not abstract.
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Visions invite us to see the world from God’s perspective.
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Poetry challenges rationalism by appealing to heart and imagination.
Prophets teach that God’s word must be heard, seen, enacted, and felt.
Conclusion
Symbolic actions, visions, and poetry reveal the prophetic imagination at its fullest. Through embodied parables, visionary encounters, and poetic artistry, prophets engaged their audiences in ways that still captivate today.
For students, learning to interpret these forms deepens appreciation for prophetic literature as theology expressed through life, art, and symbol.
Suggested Assignments
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Textual Study: Analyze Ezekiel 4–5. How do Ezekiel’s symbolic acts function rhetorically? (6–8 pages).
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Research Paper: Compare Isaiah 6 and Ezekiel 1 as call visions. What do these reveal about God’s holiness and prophetic commissioning?
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Comparative Essay: Study Hosea 1–3 and Jeremiah 13 (linen loincloth). How do enacted parables communicate theology differently than words alone?
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Group Project: Present a dramatic reading of Amos 7–9, using visual aids to capture the imagery of Amos’s visions.
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Reflection Journal: Reflect on how poetry or symbolic imagery has shaped your understanding of faith more than abstract argument.
References (APA Style)
Allen, L. C. (1994). Ezekiel 1–19 (Word Biblical Commentary, Vol. 28). Word Books.
Blenkinsopp, J. (1996). A history of prophecy in Israel (2nd ed.). Westminster John Knox Press.
Brueggemann, W. (1984). Prophetic imagination. Fortress Press.
Collins, J. J. (2014). Introduction to the Hebrew Bible (2nd ed.). Fortress Press.
Greenberg, M. (1983). Ezekiel 1–20: A new translation with introduction and commentary. Yale University Press.
Mays, J. L. (1969). Amos: A commentary. Westminster Press.
Nogalski, J. D. (2011). The Hebrew prophets. Abingdon Press.
Zimmerli, W. (1979). Ezekiel 1: A commentary on the Book of the Prophet Ezekiel, Chapters 1–24. Fortress Press.
